Ed Valentine’s exhibition
“Someone’s Beauty” is currently presented alongside Michael Stillion’s show,
“B.Z&C: Bent, Zigzag and Crooked” at the Linda Warren Projects in the West
Loop Neighborhood of Chicago. Both collections encourage the viewer to consider
portraiture in new and ambitious ways. Stillion for example, inquires about how
fabric contributes to identity by using oil on canvas to depict layers of clothing
that completely envelope the wearer. Each of the fabrics are painted with
lively colors which juxtapose their serene neutral backgrounds. Stillion favors
hues of blue and orange and incorporates them into nearly every piece. By
portraying mundane articles of clothing with such vibrancy, Stillion is successful
in his endeavor to illustrate portraiture without painting the figure, instead
allowing the objects to speak for themselves as the subjects. Valentine’s work, on the other hand can be
interpreted in a multitude of ways. Unlike Stillion, Valentine does not make
his artistic agenda clear. Valentine’s pieces depict abstract graffiti style
designs created with aerosol spray paint in contrast with realistic eyes using
oil paint. While most of the images were done on large scale canvas of
approximately 96”x60” Valentine also included a collection of smaller portraits
of 18”x24” using a variety of painterly aesthetics such as drips, clean architectural
lines and scraping off the paint. Although the pieces of larger scale has less
conclusive subject matters, I felt that these works overlapped with Stillion's
exhibition as they allowed me to continuously interpret the definition of “a
portrait”.
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