Exhibition of Sculptural Painting by Connie Noyes 9.19.2014

Join Connie for light refreshments at the second floor lobby of Chicago's Prudential Building (130 East Randolph Street) from 12 to 2 for a reception on Friday the 19th of September. In conjunction with EXPO CHICAGO, we celebrate Noyes' exploration of deconstructed idolized beauty and the complex operation of transforming forgotten and found materials (mirror, packing peanuts, tar and chrome) into visually enthralling sculpture on canvas as a metaphor for the evolution of the human experience.

Jason Karolak's Neon Grids and the Chemistry of Opposites

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Jason Karolak’s layered neon grids in aqua and fuchsia float in a stark, cosmic darkness, the artist exploring a tension between the containment of the form and the expanse of the subject’s atmosphere. Aside from the aesthetic engagement these pieces require of their reader, they inspire reflection on structure as a concept. Chemistry of opposites is visually engendered between vibrant color and darkness, connection and disconnection, transparency and visual weight, empty and structured space, organic and artificial creation, growth and stagnation. I find myself reflecting on the structure and limitation of existence and the chemistry between yet to be understood life forces.Pretentious philosophical bologna? Perhaps. But Karolak achieves what few painters can—he engages the viewer’s mind as successfully as he engages the eye. He pushes the limitations of connection in opposites and, if you don’t buy the intention, his work is still damn original. 

    

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Chicago West Loop gallery Kavi Gupta represents Brooklyn-based SAIC MFA grad Jason Karolak. 

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“I am invested in the fundamental materials and languages of painting, and take very seriously the process of building form and space. Largely my studio days are spent thinking about the formal elements of the paintings—line, geometry, space, and color. But this is a starting point, not a reductive location at which to arrive. I am more interested in abstraction as a porous language, one that has the ability to gather and absorb. I want to tweak or bend the geometric so that it feels organic. More malleable and relaxed. And I want the architectonic framework to feel more lightweight. I consider what I can bring into the work implicitly, such as light, heat, weight, even sound—elements from my experience. So the painting, and by extension the studio, becomes this place of filtering, or distilling.” 

Above is his artist statement posted the blog, “Painter’s Process” in May of 2013. 

http://sbmacinnis.wordpress.com"

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Photos courtesy of jaysonkarolak.com

BLACK and WHITE--an achromatic exhibition at The Nevica Project featuring artists Richard Serra and Priscilla Mouritzen

Join friends, scholars, and collectors at The Nevica Project’s opening reception of Black and White—the achromatic inaugural exhibition of the remodeled space featuring globally collected artists Richard Serra and Priscilla Mouritzen. Serra’s colossal and towering textured etchings compliment the delicate pinched porcelain bowls of Mouritzen in a visual conversation on contrast, minimalism and the complexity of line.  Both artists explore the perception of visual weight, Priscilla’s patterned pots gleaming translucently against light and Serra’s etchings gracefully commanding the entirety of the gallery walls.  

Collector’s hour from 5-6 followed by an open reception from 6-9 on Thursday, September 11^th at 3717 N. Ravenswood, Unit 115W, Chicago.  Works exhibited from Septempter 11^th to October 7^th 2014.  Other work available for viewing include artists Darrell Roberts, Tara Donovan, Cy Twombly, Peregrine Honig, Warren McKenzie, and Peter Voulkos.

http://www.thenevicaproject.com